I decide to keep combining precious metal with objects found on street. This material combination can be developed into my symbolic visual language. These jewellery’s finishes hardly communicate or represent my street observation. I avoid the direct use of street material. Adding my own interpretation by peeling off cardboard’s top layer and stick glass to it. However, these interpretations hardly represent the street. Based on people’s feedbacks they see my jewellery as ancient artifacts. This feedback refers to my glass setting technique. Making process may affect viewer’s perception on jewellery.
I find packages are the most common street object. These packages were formed symmetrically, but their twisted shape proofed that they are no longer functional. Perhaps cast food packages and then form them into random forms can direct viewers’ thought to street object. I am open to viewers interpretation with my jewellery. As a designer I need to make sure my jewellery communicate street feeling to some of the audiences. I will look at design pieces that catches street’s common feeling. I will also pay close attention to street object and make accurate visual reference by photographing drawing or writing descriptions of objects physical characters.